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REVIEWS
Contact Stanley Wiater at: StanleyWiater@hotmail.com
Here is the Stephen King companion
to end all Stephen King companions: THE STEPHEN KING UNIVERSE.
The
three authors bring their considerable expertise to a survey of
the complete King fictional corpus, grouping novels and tales by
setting and theme. An indispensable insider's guide to the influences
on King, his plots and characters, TV and film adaptations and more
--Publisher's Weekly on THE STEPHEN KING UNIVERSE
Will appeal to serious King fans
but will be an
especially useful addition to academic resources on contemporary
authors. Recommended for those libraries with a need for in-depth
information on King and his work.
--Library Journal on THE STEPHEN KING UNIVERSE
This volume is a lock
not only for dedicated horror fans but also for libraries.
--Publisher's Weekly on DARK DREAMERS: FACING THE MASTERS
OF FEAR
This is a book only Wiater could
have compiled. There may be others who have interviewed and reported
on horror for as long or longer; some who have equal or greater
knowledge; other writers who have an idea of how the creative mind
works--but no one else has ever approached so many masters of the
field with not only experience, knowledge, and imagination, but
also the unabashed love for horror and its creators that Wiater
possesses.
--Dark Echo on DARK THOUGHTS: ON WRITING
Ever wonder what scares your favorite horror writers? Want
to know who influenced them, or where they get their ideas? Wonder
no longer--the answers to these and other questions can be found
in this excellent collection. Must reading for horror fans and aspiring
writers in all genres.
--Barnes and Noble.com on DARK THOUGHTS: ON WRITING
Stanley Wiaters invaluable DARK THOUGHTS: ON WRITING
has hundreds of quotes from horrors biggest authors, including
King, Straub, Koontz, Ketchum, Barker, and all your favorites. Invaluable
for both writers and readers alike. Great, great fun. Highly recommended.
--HorrorNet on DARK THOUGHTS: ON WRITING
These loosely connected fragments of interviews of famous
horror writers has its moments--page 64, about how Michael McDowell
literally stumbled into a television writing job, or better yet,
the piece de resistance of the collection, the anecdote to end all
filmwriting anecdotes by William F. Nolan on the production of The
Mummy. Those two alone are worth the price of introduction.
(There's no plot to this book, no cliffhangers, no movie
tie-ins, no TV specials, no walk-in SF convention characters; nothing
but pure, unadulterated wisdom of the ages, of special experiences,
of hopes and dreams. And what more do you want from a book anyway?)
--True Review on DARK THOUGHTS: ON WRITING
Fans will love DARK VISIONS
Wiater
is an experienced interviewer. For people who love horror movies,
DARK VISIONS provides a good deal of chatty fun.
--Washington Post Book World on DARK VISIONS
Wiater's enthusiasm is contagious.
--Chicago Tribune on DARK VISIONS
Interesting and entertaining insights
into their lives and work. This body of conversations is a must
for anyone taken by these creators of the macabre or anyone who
wants to pick up a few tips on how to get into the business.
-- Ft. Lauderdale Sun-Sentinel on DARK DREAMERS
It's a fascinating, inside-the-skull look at people with
weird minds.
--Hartford Courant on DARK DREAMERS
Wiater knows his genre and his writers thoroughly and this
familiarity and personal relationship enables him to go to the center
of each writers work. In the best exchanges, Wiater touches
a nerve and stimulates responses that are especially insightful
and, on occasion, quite moving
An excellent introduction to
the personalities behind today's dark fantasy.
--SFRA Newsletter #182 on DARK DREAMERS
A fine collection for either leisure reading or use in research
papers about any of these macabre masters.
--Kliatt Young Adult Book Guide on DARK DREAMERS
Even though it is thankfully
devoid of a theme, AFTER THE DARKNESS does contain one twist which
makes it different from all the other anthologies which have come
before it: Wiater has asked each contributor to explain where they
got the idea for their story. These After-Words are
interesting to read, as they give insight into the various authors
creative processes, something which the reader is usually oblivious
to. If youve got the disposable income, and you arent
afraid that cracking the spine might decrease its resale potential,
AFTER THE DARKNESS is worth picking up. Recommended.
--Afraid on AFTER THE DARKNESS
Horror novels seem to be in decline, and there are few real
markets for short fiction in that genre. This limited edition hardcover
includes some of the best short fiction of the year. Joseph Citros
Kirby is a macabre take on an imaginary friend; Graham
Masterton's Making Melinda is a very fine variant of
The Monkeys Paw, and Thomas Tessiers In
the Desert of Deserts is a quiet but very effective shocker.
J.N. Williamson shows us the consequences of dealing with a fanatic
writer in Gods Mouth to Your Ear, and Nancy Collins
provides the best single story, Such a Good Baby with
an ending that will catch you breathless.
--Science Fiction Chronicle on AFTER THE DARKNESS
COMIC BOOK REBELS is an important
book because it consists of fresh and relatively focused interviews
with important creative people in the comic book industry
Creators
rights and artistic freedom are prominent topics of the discussions,
but more important is the detail about and insight into individual
careers that will be of interest to students of any aspect of the
American comic book since about 1965.
The interview format is of special value to comic book scholarship.
Comments of thoughtful creators who do not normally write about
their ideas can be enormously suggestive to students of the medium.
Interviews have always been important features of comics fanzines,
and this book neither replaces nor competes with any previous publications:
it presents new information about influences, relationships, and
motivations.
This book will provide raw material for many a research
project and should be in every research library and on the shelf
of all serious students of comic books.
--Inks: Cartoon and Comic Art Studies on COMIC BOOK REBELS
This is a book with an agenda--an axe to grind, if you will.
This is a book that sets itself up as a forum for taking pot-shots
at the comic-book establishment. It is an attempt to give voice
to the dissidents inside and outside of the comic-book mainstream.
The editors present the interviews between these covers as examples
of creators who have beat the comic-book machine at
its own game
Nonetheless, the interviews themselves are fascinating reading
and offers us a realistic look at the lives and inspirations of
some of modern comics most talented creators.
--Hogans Alley on COMIC BOOK REBELS
A collection of interviews with a diverse group of artists,
writers, and writer/artists. The interviews read like relaxed, chatty
conversations and are easy and fun to read. I learned something
I hadnt known from every interview. I recommend it highly.
--Comic Buyers Guide on COMIC BOOK REBELS
This is a book for any fan interested in what happens behind
the scenes of their favorite comic books.
--Wizard on COMIC BOOK REBELS
NIGHT VISIONS 7 is the latest
in this anthology series (each volume showcases the talents of three
horror writers)
with more than enough fine work to make it
worthwhile.
Richard Laymon provides the best stories in the book, each
of which packs a solid punch. Mop Up, the tale of a
handful of soldiers eradicating the ghoul-like victims of a virulently
contagious disease, reads like a scenario of a George Romero film
and is just as scary. Wishbone depicts a trouble relationship
give its coup de grace by a much too animated skeleton. Bad
News considers what might happen if suburbia were invaded
by a horde of deadly rat-like creatures, and Madman Stan
tells of a bizarre baby-sitter who terrorizes her wards.
The best of Chet Williamson's three contributions is the
thoughtful novelette Confessions of St. James an interesting
character study of a good-hearted but disturbed priest who consumes
human flesh when he celebrates the Eucharist. Gary Brandner's lurid
short novel, Damntown, is set in a village in Wisconsin
perpetually frozen in time: a June day in 1933, when the devil showed
up to make the town his headquarters
--Publishers Weekly on NIGHT VISIONS 7
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